King Philip Regime and Government in Paris 1200 by John W....

King Philip Regime and Government In the novel, Paris 1200 by John W. Baldwin, King Philip (Philip Augustus), was an important contributor to the growth of the French Monarchy. He was able to increase the Monarchy better then any other King before him. He defeated many enemies, sought to overtake the British crown and embarked on a third crusade. King Philip Augustus brought financial stability to the country and was very popular amongst his subjects. King Philip when assigned King had many goals to achieve to make his Kingdom the most powerful. He changed the political structure to better suit these goals and allow for a better transition with his changes. King Philip Augustus had different relationships, good and bad, with the Catholic Church, the Parisian Elite and England. Philip II, starting at such a young age, had high expectations for the development of the Kingdom. Philip Augustus was the late son of King Louis VII and it was a miracle that King Louis VII could bear a son so late in his regime. â€Å"His birth at Paris on 21 August 1165 was the occasion of exceptional rejoicing for his parents, and for the Parisian population because it brought long years of anxiety to a close† (Baldwin 71). The country finally felt secure knowing there was a male hair in line to rule the Kingdom. King Philip was the son of Louis VII and Alix de Champagne. He was born in Paris and spent as much time as possible in the capital area. His father planned to associate Philip with him on theShow MoreRelatedVarian Solution153645 Words   |  615 PagesJonathan has $400 a week to spend. (a) Write down a budget equation for Jonathan, where W stands for the number of bottles of whiskey, T stands for the number of pairs of tennis shoes, and M for the number of gourmet restaurant meals that he consumes. 20W + 80T + 50M = 400. (b) Draw a three-dimensional diagram to show his budget set. Label the intersections of the budget set with each axis. M 8 5 20 T W (c) Suppose that he determines that he will buy one pair of designer tennis shoes

Modernist Styles, Including Cubism, Orphism, and Futurism...

Modernist styles, including Cubism, Orphism, and Futurism challenged the practices of traditional representational art. I will argue that modernist styles including Cubism, Orphism and Futurism did challenge the practices of traditional representational art. While some may argue that that the fact that modern styles were concerned with subject gives doubt to how challenging they really were to representational art I oppose this idea entirely. All art is representational in some way. Rather than a dismissing the concept of representation in art the modernist styles challenged the validity of the external representation, which had previously been the foundation of art, by focussing on conceptual representation. Traditional†¦show more content†¦Initially the search for a new, more truthful pictorial space was found in the introduction of time, the fourth dimension, into space. Around this time in history the concept that space and time where interlinked was suggested by Einstein’s theory of relativity which destroyed the concept that the dimensions of an object were absolute, by demonstrating that they depended on the relative position of the viewer. This abstract concept was portrayed in Cubism through the use of synthesised impressions of an image or space. As you view an image or object, your impression is not static but a moving collection of impressions over time. The use of multiple viewpoints aimed to compress a multiplicity of information gathered from various experiences of an object into one image. This innovation of a truer space is most evidently portrayed by the analytic phase of Cubism. Through the incorporation of the new artistic conventions the fragmentation of form was developed. The intention was to encompass the entire visual experience of an object into one image and through this idea an effective technique of breaking up form into planes and facets which each expressed a sample of visual information. The Cubist works now possessed a shallow pictorial space due to the abandonment of perspective on which these

The Return Nightfall Chapter 26 Free Essays

Ley lines. Stefan had spoken of them, and with the influence of the spirit world still on her, she had seen them without trying. Now, still lying on her side, channeling what remained of that Power to her eyes, she looked at the earth. We will write a custom essay sample on The Return: Nightfall Chapter 26 or any similar topic only for you Order Now And that was what made her mind go gray in terror. As far as she could see there were lines converging here from all directions. Thick lines that glowed with a cold phosphorescence, medium-sized lines that had the dull shine of bad mushrooms in a cellar, and tiny lines that looked like perfectly straight cracks of the outer surface layer of the world. They were like veins and arteries and nerves just under the skin of the clearing-beast. No wonder it seemed alive. She was lying on a massive convergence of ley lines. And if the cemetery was worse than this – she couldn’t imagine what it might look like. If Damon had somehow found a way to tap into that Power†¦no wonder he seemed different, arrogant, undefeatable. Ever since he had released her to drink Matt’s blood, she had kept shaking her head, trying to shake off the humiliation with it. But now finally she stopped as she tried to calculate a way to make use of this Power. There had to be a way to do it. The grayness wouldn’t clear from her vision. Finally Elena realized that it was not because she was faint, but because it was getting dark – twilight outside the clearing, true darkness coming into it. She tried again to lift herself up, and this time she succeeded. Almost immediately a hand was extended to her and, automatically, she took it, letting it draw her to her feet. She faced – whoever it was, Damon or whatever was using his features or his body. Despite the almost-darkness, he still wore those wraparound sunglasses. She could make nothing out of the rest of his face. â€Å"Now,† the thing in the sunglasses said. â€Å"You’re going to come with me.† It was nearing full dark, and they were in the clearing that was a beast. This place – it was unwholesome. She was afraid of the clearing as she had never been afraid of a person or creature. It resounded with malevolence, and she couldn’t shut her ears to it. She had to keep thinking, and keep thinking straight, she thought. She was terribly frightened for Matt; frightened that Damon had taken too much blood or had played too hard with his toy; breaking it. And she was afraid of this Damon thing. She was also worried about the influence this place might have had on the real Damon. The woods around them shouldn’t have any effect on vampires, except to hurt them. Was the possible-Damon inside the possessor hurt? If he could understand anything of what was happening, could he distinguish that hurt from his hurt and anger at Stefan? She didn’t know. She did know that there had been a terrible look in his eyes when Stefan had told him to get out of the boardinghouse. And she did know that there were creatures in the forest, malach, that could influence a person’s mind. She was afraid, deeply afraid, that the malach were using Damon now, blackening his darkest desires and twisting him into something horrible, something he had never been even at his worst. But how could she be sure? How could she know whether or not there was something else behind the malach, something that controlledthem ? Her soul was telling her that this might be the case, that Damon might be completely unconscious of what his body was doing, but that might just be wishful thinking. Certainly all she could sense around her were small, evil creatures. She could feel them encircling the clearing, strange insect-like beings like the one that had attacked Matt. They were in a furor of excitement, whipping their tentacles around to make a noise almost like a buzzing helicopter. Were they influencing Damon now? Certainly, he had never before hurt any of the other humans she knew the way he had today. She had to get all three of them out of this place. It was diseased, contaminated. Once again she felt a wave of longing for Stefan, who might know what to do in this situation. She turned, slowly, to look at Damon. â€Å"May I call someone to come and help Matt? I’m afraid to leave him here; I’m afraidthey’ll get him.† Just as well to let him know that she knewthey were hiding in the liverwort and the rhododendron and mountain holly bushes all around. Damon hesitated; he seemed to consider it. Then he shook his head. â€Å"We wouldn’t want to give them too many clues to where you are,† he said cheerily. â€Å"It’ll be an interesting experiment to see if the malach do get him – and how they do it.† â€Å"It wouldn’t be an interesting experiment forme .† Elena’s voice was flat. â€Å"Matt is my friend.† â€Å"Nevertheless, we’ll leave him here for now. I don’t trust you – even to giveme a message to Meredith or Bonnie – to send on my phone.† Elena didn’t say anything. As a matter of fact, he was right not to trust her, as she and Meredith and Bonnie had worked out an elaborate code of harmless-sounding phrases as soon as they knew that Damon was after Elena. A lifetime ago for her – literally – but she could still remember them. Silently, she simply followed Damon to the Ferrari. She was responsible for Matt. â€Å"You’re not putting up much of an argument this time, and I wonder what you’re plotting.† â€Å"I’m plotting that we might as well get on with it. If you’ll tell me what  ¡Ã‚ ®it’ is,† she said, more bravely than she felt. â€Å"Well, now what  ¡Ã‚ ®it’ is, is up to you.† Damon gave Matt a kick in the ribs in passing. He was now pacing in a circle around the clearing, which seemed smaller than ever, a circle which didn’t include her. She took a few paces toward him – and slipped. She didn’t know how it happened. Maybe the giant animal breathed. Maybe it was just the slick pine needles under her boots. But one moment she was heading for Matt and the next her feet had gone out from under her and she was heading for the ground with nothing to grab onto. And then, smoothly and unhurriedly, she was in Damon’s arms. With centuries of Virginian etiquette behind her she automatically said, â€Å"Thank you.† â€Å"My pleasure.† Yes, she thought. That’s all it means. It ishis pleasure, and that’s all that matters. That was when she noticed that they were headed for her Jaguar. â€Å"Oh, no, we don’t,† she said. â€Å"Oh, yes, we will – if I please,† he said. â€Å"Unless you want to see your friend Matt suffer like that again. At some point his heartwill give out.† â€Å"Damon.† She pushed her way out of his arms, standing on her own feet. â€Å"I don’t understand. This isn’t like you. Take what you want and go.† He just kept looking at her. â€Å"I was doing just that.† â€Å"You don’t have to† – for the life of her, she couldn’t keep a tremor out of her voice – â€Å"take me anywhere special to take my blood. And Matt won’t know. He’s out.† For a long moment there was silence in the clearing. Utter silence. The night birds and the crickets stopped making their music. Suddenly Elena felt as if she were on some kind of thrill ride that plummeted down, leaving her stomach and organs still at the top. Then Damon put it in words. â€Å"I wantyou . Exclusively.† Elena braced herself, trying to keep a clear head despite the fog that seemed to be invading it. â€Å"You know that that’s not possible.† â€Å"I know that it was possible for Stefan. When you were with him, you didn’t think about anything but him. You couldn’t see, couldn’t hear, couldn’t feel anything but him.† Elena’s gooseflesh now covered her whole body. Speaking carefully around the obstruction in her throat, she said, â€Å"Damon, did you do something to Stefan?† â€Å"Now, why would I want to do something like that?† Very low, Elena said, â€Å"You and I both know why.† â€Å"Do you mean,† Damon started out speaking casually, but his voice grew more intense as he gripped her shoulders, â€Å"so that you would see nothing butme , hear nothing butme , think of nothing butme ?† Still quietly, still controlling her terror, Elena said, â€Å"Take off the sunglasses, Damon.† Damon glanced upwards and around as if to reassure himself that no last ray of sunset could pierce the green-gray world that surrounded them. Then with one hand, he stripped off the sunglasses. Elena found herself looking into eyes that were so black there seemed to be no difference between iris and pupil. She†¦turned a switch in her brain, did something so that all her senses were tuned onto Damon’s face, his expression, the Power circulating through him. His eyes were still as black as the depths of an unexplored cave. No red. But then, he’d had time, this time to get ready for her. I believe what I saw before, Elena thought. With myown eyes. â€Å"Damon, I’ll do anything, anything you want. But you have to tell me.Did you do something to Stefan?† â€Å"Stefan was still high onyour blood when he left you,† he reminded her, and before she could speak to deny this – â€Å"and, to answer your question precisely, I don’t know where he is. On that, you have my word. But in any case, it’s true, what you were thinking earlier,† he added, as Elena tried to step away, to get out of the grip he had on her upper arms. â€Å"I’mthe only one, Elena. The only one you haven’t conquered. The only one you can’t manipulate. Intriguing, isn’t it?† Suddenly, in spite of her fear, she was furious. â€Å"Then why hurt Matt? He’s just a friend. What’s he got to do with it?† â€Å"Just a friend.† And Damon began to laugh the way he had before, eerily. â€Å"Well, I knowhe didn’t have anything to do with Stefan leaving,† Elena snapped. Damon turned on her, but by then the clearing was so dim that she couldn’t read his expression at all. â€Å"And who saidI did? But that doesn’t mean I’m not going to make use of the opportunity.† He picked Matt up easily and held up something that shone silver from his other hand. Her keys. From her jeans pocket. Taken, no doubt, when she was lying unconscious on the ground. She could tell nothing from his voice, either, except that it was bitter and grim – all usual if he were talking about Stefan. â€Å"With your blood in him, I couldn’t have killed my brother if I had tried, the last time I saw him,† he added. â€Å"Didyou try?† â€Å"As a matter of fact, no. You have my word on that as well.† â€Å"And you don’t know where he is?† â€Å"No.† He hefted Matt. â€Å"What do you think you’re doing? â€Å"Taking him with us. He’s hostage for your good behavior.† â€Å"Oh, no,† Elena said flatly, pacing. â€Å"This is between you and me. You’ve hurt Matt enough.† She blinked and once again almost screamed to find Damon much too close, much too fast. â€Å"I’ll do whatever you want.Whatever you want. But not here out in the open and not with Matt around.† Come on, Elena, she was thinking. Where’s that vampy behavior when you want it? You used to be able to vamp any guy; now, just because he’s a vampire, you can’t do it? â€Å"Take me somewhere,† she said softly, intertwining her arm with his free one, â€Å"but in the Ferrari. I don’t want to go in my car. Take me in the Ferrari.† Damon paced back to the trunk of the Ferrari, unlocked it, and looked inside. Then he looked at Matt. It was clear that the tall, well-built boy wasn’t going to fit in to the trunk†¦at least, not with all his limbs attached. â€Å"Don’t you eventhink about it,† Elena said. â€Å"Just put him in the Jaguar with the keys and he’ll be safe enough – lock him in.† Elena fervently prayed that what she was saying was true. For a moment Damon said nothing, then he looked up with a smile so brilliant she could see it in the dusk. â€Å"All right,† he said. He dumped Matt on the ground again. â€Å"But if you try to run while I move the cars, I runhim over.† Damon, Damon, will you never understand? Humans don’tdo that to their friends, Elena thought as he brought the Ferrari out so he could bring the Jaguar in, so he could dump Matt in it. â€Å"All right,† she said in a small voice. She was afraid to look at Damon. â€Å"Now – what do you want?† Damon inclined from the waist in a very graceful bow, indicating the Ferrari. She wondered what would happen once she got in. If he were any normal attacker – if there wasn’t Matt to think about – if she didn’t fear the forest even more than she feared him†¦ She hesitated and then got into Damon’s car. Inside, she pulled her camisole out of her jeans to conceal the fact that she wasn’t wearing a seat belt. She doubted Damon ever wore a seat belt or locked his doors or anything like that. Precautions weren’t his thing. And now she prayed that he had other matters on his mind. â€Å"Seriously, Damon, where are we going?† she said as he got into the Ferrari. â€Å"First, how about one for the road?† Damon suggested, his voice fake-jocular. Elena had expected something like this. She sat passively as Damon took her chin in fingers that trembled slightly, and tilted it up. She shut her eyes as she felt the double-snakebite pinch of razor-sharp fangs piercing her skin. She kept her eyes shut as her attacker fastened his mouth on the bleeding flesh and began to drink deeply. Damon’s idea of â€Å"one for the road† was just what she would have expected: enough to put both of them in danger. But it wasn’t until she actually began to feel as if she would pass out any minute that she shoved at his shoulder. He held on for a few more very painful seconds just to show who was Boss here. Then he let go of her, licking his lips avidly, his eyes actually gleaming at herthrough the Ray-Bans. â€Å"Exquisite,† he said. â€Å"Unbelievable. Why you’re – â€Å" Yeah, tell me I’m a bottle of single malt scotch, she thought. That’s the way to my heart. â€Å"Can we go now?† she asked pointedly. And then, as she suddenly remembered Damon’s driving habits, she added deliberately, â€Å"Be careful; this road twists and turns a lot.† It had the effect she had hoped for. Damon hit the accelerator and they shot out of the clearing at high speed. Then they were taking the sharp turns of the Old Wood faster than Elena had ever driven through here; faster than anyone had dared go with her as a passenger before. But still, they wereher roads. From childhood on she had played here. There was only one family who lived right on the perimeter of the Old Wood, but their driveway was on the right side of the road – her side – and she got herself ready for it. He would take the sudden curve to the left just before the second curve that was the Dunstans’ driveway – and on the second curve she would jump. There was no sidewalk edging Old Wood Road, of course, but at that point there was a heavy growth of rhododendron and other bushes. All she could do was pray. Pray that she didn’t snap her neck on impact. Pray that she didn’t break an arm or leg before she limped through the few yards of woods to the driveway. Pray that the Dunstans were home when she pounded on their door and pray that they listened when she told them not to let the vampire in behind her. She saw the curve. She didn’t know why the Damon-thing couldn’t read her mind, but apparently he couldn’t. He wasn’t speaking and his only precaution against her trying to get out seemed to be speed. She was going to get hurt, she knew that. But the worst part of any hurt was fear, and she wasn’t afraid. As he rounded the curve, she pulled the handle and pushed open the door as hard as she could with her hands while she kicked it as hard as she could with her feet. The door swung open, quickly being caught by centrifugal force, as were Elena’s legs. As was Elena. Her kick alone took her halfway out of the car. Damon grabbed for her and got only a handful of hair. For a moment she thought he would keep her in, even without keeping hold of her. She tumbled over and over in the air, floating, remaining about two feet off the ground, reaching out to grab fronds, branches of bushes, anything she could use to slow her velocity. And in this place where magic and physics met; she was able to do it, to slow while still floating on Damon’s power, although it took her much farther from the Dunstans’ house than she wanted. Then she did hit the ground, bounced, and did her best to twist in the air, to take the impact on her buttock or the back of a shoulder, but something went wrong and her left heel hit first – God! – and tangled, swinging her around completely, slamming her knee into concrete – God, God! – flipping her in the air and bringing her down on her right arm so hard it seemed to be trying to drive it into her shoulder. She had the wind knocked out of her by the first blow and was forced to hiss air in by the second and third. Despite the flipping, flying universe, there was one sign she couldn’t miss – an unusual spruce growing into the road that she had noticed ten feet behind her when she’d exploded out of the car. Tears were pouring uncontrollably down her cheeks as she pulled at tendrils of bush that had entangled her ankle – and a good thing, too. A few tears might have blurred her vision, made her afraid – as she had been with the last two explosions of pain – that she might pass out. But she was out on the road, her eyes were washed clear, she could see the spruce and the sunset both directly ahead, and she was thoroughly conscious. And that meant that if she headed for the sunset but at a forty-five-degree angle to her right, she couldn’t miss the Dunstans’; driveway, house, barn, cornfield were all there to guide her after perhaps twenty-five steps in the woods. She had barely stopped rolling when she was pulling at the bush that had thwarted her and getting to her feet just as she pulled the last entangling stems from her hair. The calculation about the Dunstans’ house happened instantaneously in her head, even as she turned and saw the crushed swath she’d cut through the greenery and the blood on the road. At first she looked at her skinned hands in bewilderment; they couldn’t have left such a gory trail. And they hadn’t. One knee had been skinned – flayed, really – right through her jeans – and one seriously messed up leg, less bloody but causing her sheets of pain like white lighting even while she was not trying to move it. Two arms with quite a lot of skin removed. No time to find out how much or to figure out what she’d done to her shoulder. Ascreeeeeeech of brakes ahead. Lord, he’s slow. No, I’m fast, hyped up by pain and terror. Use it! She ordered her legs to sprint into the forest. Her right leg obeyed, but when she swiveled her left and it hit the ground fireworks went off behind her eyes. She was in a state of hyper-alertness; she saw the stick even as she was falling. She rolled over once or twice, which caused dull red flares of pain to go off in her head, and then she was able to grab it. It might have been specially designed for a crutch, around underarm height and blunt on one end but sharp on the other. She tucked it under her left arm and somehow willed herself up from her place in the mud: boosting off with her right leg and catching herself on the crutch so that she scarcely had to touch her left foot to the ground. She’d got turned around in the fall and had to twist to right herself again – but there she saw it, the last remains of sunset and the road behind her. Head forty-five-degrees right from that glow, she thought. Thank God, it was her right arm that was messed up; this way she could support herself with her left shoulder on the crutch. Still without a moment’s hesitation, without giving Damon an extra millisecond to follow her, she plunged in her chosen direction into the forest. Into the Old Wood. How to cite The Return: Nightfall Chapter 26, Essay examples

Real

Real-Life Heroes Essay Heroes abound in present times and many of them are fictional characters, for instance, Superman, Wonder Woman, and Thor. They’ve been significant in many people’s childhood and teenage years, but there’re also real-life heroes who embody the best human qualities and are acknowledged for making the difference. Heroes have always lived on the borderline between real world and that of imagination. On the one hand, we’re aware they’re not real because adults are constantly telling us heroes only exist in cartoons and movies. On the other hand, it seems that superheroes are real because they make us feel courageous when confronting adversities. That’s how a real-life hero can materialize himself these days: encouraged by a fictional character that, with his/her noble disposition, helps people deal with their fears and guides them into worthy achievement. Additionally, a modern, real-life hero isn’t a costumed crime fighter, but an ordinary person who’s resolved to be â€Å"braver five minutes longer. † To be a modern hero comes along with great responsibilities, thus an ordinary man’s mentality has to suffer a modification in order to understand that such responsibility is assumed, not imposed. Consequently, the capacity to take on responsibility where no one else would regard themselves as responsible, leads real-life heroes to do something about a situation rather than being helpless victims of it. The English poet Matthew Arnold once said: â€Å"The will is free; Strong is the soul, and wise, and beautiful; The seeds of god-like power are in us still; Gods are we, bards, saints, heroes, if we will! † which may mean that there’re honorable characteristics inherently human that can make anyone of us a real-life hero, opposite to cultural stereotypes and committed to embrace diversity –heroes may come in all sizes, colors, and shapes. Hence, those who organize the neighborhood to get a stop sign, open children’s libraries, and protest against the threat of contamination are the ordinary people who’ve taken responsibility regarding an affair and have done a meaningful effort to improve it. Finally, heroism doesn’t consist of wearing capes and tight clothes, and having superpowers to fight evil. Instead, it’s enough to develop a sense of responsibility to take a stand in those subjects that require a brave person to do something about them. We can all be modern-days heroes and be acknowledged for our contribution to a better society. Let’s make our own version of superheroes now! Bibliography: Arnold, Matthew. The Poems of Matthw Arnold. 1840-1867. London, New York: Oxford University Press, 1909; From http://www.bartleby.com/254/14.html, 2011. Debra, D., Norloff, C., Carne, P. Q Skills for Success. Reading and Writing 4 Student Book with Online Practice. USA: Oxford University Press; Pap/Psc St edition (2011)

Urban Legends Essay Example

Urban Legends Essay Urban legends are the stories youve probably hear from your neighbors and friends from time to time, read them in the newspapers, on some websites or even get them by e-mail. Brandon Toropov in his book The Complete Idiots Guide to Urban Legends defines a classical urban legend as a compelling story, which origin is enigmatic, the one that is spreading in various forms of humor or terror to deliver the lesson. (p.4). Tom Harris, the author of the article How Urban Legends Work found on the How Stuff Works Website says that urban legend is †¦any modern, fictional story, told as truth, that reaches a wide audience by being passed from person to person. Linda Degh in her book Legend and Belief: Dialectics of a Folklore Genre states that the phenomenon of urban legends have been existing for centuries now, at least the scientists who analyzed the folklore from classical antiquity, Middle Ages to the reign of queen Victoria. The things that changed about the old urban legends it is the setting and some minor details, but the plot and the morale often stay the same. The author stated that urban legends are the current outgrowth of traditional legendry, the modern variation of that mystic metaphysical nightmare stories that were told long ago near the campfires and fireplaces all over the world. (p.88) We will write a custom essay sample on Urban Legends specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Urban Legends specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Urban Legends specifically for you FOR ONLY $16.38 $13.9/page Hire Writer The term urban legend was established and gained popularity through the Brunvands urban legend books; five volumes of stories and tales that were published in a period from 1981 to 1993. The publication of those books inspired the oral and media retelling of those stories and the appearance of the new ones. Year after year more and more books are published about the urban legends, websites and discussion groups appear, and the phenomenon of urban legends is spread further and popularized. Brandon Toropov marked out the eight standards to asses urban legend status. Those are:  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   the story is presented as having been experienced or seen by a friend of a friend (the FOAF attribution). It means that we never hear those stories from the immediate participator.  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   the teller seems a little to eager to insist the story is true  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   the story plays to the common fear or concern  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   the story is demonstrably false  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   the story has appeared in multiple versions  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   the story carries an important lesson or warning  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   the storys been around for a long time  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   the story is too good not to pass along. It has a clear structure, a beginning, middle and end sections, it uses devices such as a series of three rule etc (p.4-9) If you hear a story that features more than two or three of these elements, it is a good chance that it is an urban legend. The amount of urban legends is tremendous, they are hundreds of books and websites full of those, people retell them every day, they appear in the newspapers ad magazines, and sometimes the urban legends can also be heard from the TV screen. Some of them are totally unrealistic, it is seen from the first glance that they are fake and designed only for fun, but some of those look much like the true stories. In some cases there happens to be some background for this or that legend, but the information is biased and blurred, and sometimes it turns out that the urban legends base on the real facts. There are legends that live for a couple of month or weeks and are passed only through the oral canal of communication, but the other stories live for decades and even centuries. It also sometimes happens that the urban legends look like valid information, thus people begin to accept them as facts and base their decisions and actions on the information provided in those legends. Urban Legends, folklore and superstitions specialist from the New Jersey college, professor Steven Anderson states that the phenomenon of urban legends was born when people first began to form big settlements, where there was too much people for them to know each other. He states that urban legends have existed in all the towns and cities in the world throughout all the history of the humankind. He also adds that urban legends substituted the stories people told each other near the fire in the ancient times. Those stories contained the examples of what was good, and what was bad, about the important moral values. Urban legends â€Å"contain an important lesson or warning, and play to the common fear or concern†. One of the prominent examples of the urban legends is the Legend about Jelly Sex Bracelets. This legend has been transmitted from news market to news market across the nation. Searching the Web we found several dozens of the articles about the hidden meaning of the jelly bracelets published in the magazines, newspapers and even aired in the TV news. It is said that this story began in 2003, in Marion County, Florida, when the jelly bracelets were banned from the school after few youngsters spilled the meaning of the color of the jelly accessories to the adults It turned out that there was a game called Snap. The burden of the game is that girls and some boys, the pupils of the middle and junior high school, and even some children below the grade 3, wear colorful jelly bracelets, and each bracelet color has its specific meaning. When the bracelet is broken on the arm it becomes a coupon for some sexual act, from kissing to the intercourse. (Sex Bracelets, Snopes Website, 2003) This legend was spread by different means – through the newspaper articles, TV shows and, mostly, e-mails. Here is the example of one of those messages people got in their mailboxes. Subject: Colored Bracelets and our Children! A MUST READ! To all of my Concerned Christian Crew (CCC): Have you heard about the bracelets that have been banned in the middle school in OFallon. I did a show on it last night because 75% of our kids go to Fulton Middle School and their school was featured on Channel 4 Wednesday night for the principal banning them. The young girls have been wearing colored jelly bracelets. Each color indicates the sexual favors they will perform. I had no idea this was going onso last nightafter confirming all of the facts with KMOV Channel 4 television station.I did a show on it. After researching the story.I found out that this began in Florida and is now spreading nationwide. The kids confirmed that they knew about the bracelets and even educated me what each color means. The Blue is Oral; The red is lap dance; Black is with a condom; Red Black is a 69 position; Green is upper body only; Can you believe these are our 11-13 year olds.((Jelly Bracelets: An Invitation to Sex?, Urban Legends About Website, 2003). Since the appearance of this legend several schools nationwide have banned jelly bracelets from their areas. It can symbolize some sort of sexual involvement, and so when we learned that we decided to ban them from our school – said Katherine Ashton, the Vice Principal of the North Layton Junior High School (Jelly Sex Bracelets Banned At North Layton Jr. High, KSL Website, 2003). Another version of this story, found in the article from the Chicago Sun-Times is that its no need to break a bracelet on the girls arm, its enough just to steal it for to get the coupon. The author of the article also adds that various Web sites exist, so kids can educate themselves about the bracelets. The sites provide color codes, games and bulletin boards where they can post their bracelet sexploits. (2004) Mueller Park Junior High in Bountiful also banned the jelly bracelets. Chris Williams, spokesman for Davis School District, said the ban on the bracelets is not proof that this sort of game was actually going on in the school. However, Mueller Parks principal Doug Beer said there were a few incidents. The school officials say that they want to prevent even the possibility of some inappropriate things going on between the pupils. The article also notes that the researchers couldnt find a single child in their area who would play that game, and that only some of the kids new about the hidden meaning of the jelly accessories. (Teen bracelet just a bracelet, or is it? Deseret News, 2003) The curios and amusing fact is that, as   Martha Irvine who wrote the article in Chicago Sun-Times about the bracelets, most of the teenagers get to know about the hidden meaning of the color of their bracelets from the news reports and not from each other. She also notes that in some parts of the country the teens dont even know that the jelly bracelets had any other purpose than just a fashionable accessory. (Chicago Sun-Times, Teens say sex bracelet legend a mystery to them, 2003). So that its obvious that the adults themselves let to the outspread of this myth throughout the country by publishing numerous articles and airing news reports about the bracelets. But lets see deeper into the roots of this problem. If we analyze the actions of the educators and principals of our schools, and even the actions of the parents, we can say that the adults in our country are afraid of sexuality, and even more of the sexuality of their kids. Everything that is somehow connected with sex is strictly banned and forbidden, notes the article on the Canadian Parents Website. ( Jelly bracelets: urban legend attracts attention, but little critical thought, Canadian Parents Website ) The kids get a feeling they were engaged in something terribly wrong and shameful, and it often leads to the perverted perception of their own sexuality and sexuality of those who surround them, which, in its turn, will make them ban any sign of sexuality in their children when they will notice it. While such a policy exists in our country its no wonder that hundreds of thousands of people have to request help from the specialists every year, as they cant cope with their sexual disorders and problems in the personal life. Its very harmful for the kids psychic to let him/her in an informational vacuum considering sex and to strongly disapprove of his/her attempts to get the needed info somewhere else than parents or educators. Besides this policy is ineffective, as it is a proven fact that forbidding something to a group of children is a best way to make them do it. The ban of jelly accessories from schools just rises the interest towards the connotations associated with this item. (The home office of Claires a First Coast store that has been selling them for a long time, says sales have skyrocketed in the two weeks after the bracelets were banned in several schools in that area.) (. 80s Fashion Bracelets Raising Concern. Fox30 Online Website) There are different versions concerning the origins of this urban legend and the reasons why it became so widespread, but the most valid, in our opinion it is the fact that it the story plays to the common fear or concern. The adults in our society are afraid to talk about sex among themselves, not even mentioning discussing this topic with their children. Sex is still considered to be something shameful and inappropriate by the considerable part of adults, thus even the smallest possibility that their kids can get more info about it than the parents are ready to give them arises great concern among the parents, educators, and social activists. Our society is afraid of the manifestations of the child and teenage sexuality. The fact that the teenagers who reached pubescence experience sexual emotions and desires seems very scaring and reproachful to most of the adults. Sex is seen as the privilege of the adults, and every teenager has to live through the battle for his/her own sexual life, the battle with his parents, relatives, and the society itself. The thing is that the parents are usually very afraid of their child growing up, of the fact that he/she would be able to survive without their help, that they will become useless to their descendant. For most of us the fact that a person is engaged in sexual activity is a clear sign of the fact that he/she is grown up. People are afraid of the possibility that their children will grow up too quick, too early. The U.S officials proclaim that there is a campaign for our country to discourage teenagers from sex before marriage, but still the statistics says that 54% of girls from 13 to 19 claim that they lead the sexual life. Considering this facts, maybe it is time to admit that people do have instincts, and that maybe it is better not to forbid kids to talk and think about sex, and have sex, but explain them the risks of premature sexual engagement, and explain them the risks of the unprotected sex? When Mr. Anderson was asked to comment on this legend he said that the legend of the Jelly Bracelets is the classical example of the urban legend of the modern times, where access to the information is almost immeasurable, but it is very hard to ensure it is validity. In the given case the legend was transmitted not only   word to mouth, but also by the national media. The specialist ensured that it is the prominent example of the fact that nevertheless the conditions of living changed radically through the last century, people stayed the same. They are ready to believe any story that is fascinating and scary enough. Most of the teenagers who were asked about their thoughts of the situation with the jelly bracelets were resentful at the fact that the adults thought they were so stupid to be engaged in such a game. Those were adults who spread this legend, and who aroused interest from the side of children and teenagers to it, and who are now panicking about it. This legend is a reflection of one of the greatest fears that exist in our society, which is the fear of the children and teenage sexuality.

MLA Template Essays

MLA Template Essays MLA Template Essay MLA Template Essay Student A. Sample Professor Course 111 17 Month Year Typing Template for MLA Papers This is an electronic template for papers written in MLA style. The purpose of the template is to help the student set the margins and spacing. Margins are set at 1 inch for top, bottom, left, and right. The type is left-justified only†that means the left margin is straight, but the right margin is ragged. Each paragraph is indented five spaces. It is best to use the tab key to indent. The line spacing is double throughout the paper, even on the works cited page. Only one space is used after punctuation. The font style used in this template is Times New Roman, a font preferred by MLA and most professors in the Humanities disciplines. The font size is 12. You can change the font style if you wish, but it must be an easy to read, professional- appearing font, though we prefer the Times New Roman font. When you are ready to write, and after having read these instructions completely, you can delete these directions and start typing. The formatting should stay the same. However, one item that you will have to change is the page header, which is placed at the top of each age along with the page number. The words included in the page header should your last name, so that if the pages are intermixed with other papers they will be identifiable. When using Word 2003, double click on the words in the page header. This should enable you to edit the words. You should not have to edit the page numbers. If you change the font style of the main text of the paper, be sure to change the font style in the header also. In addition to spacing, MLA style includes a special way of citing resource articles. See the MLA Handbook for Writers of Research Papers, Section 6, (237-260), for detailed information on in-text citations. The MLA Handbook also discusses the desired tone of writing, grammar, punctuation, formatting for numbers, and a variety of other important topics. Although the MLA style rules are used in this template, the purpose of the template is only to demonstrate spacing and the general parts of the paper. The student will need to refer to the MLA Handbook for other format directions. A sample works cited page is included, however, because this page includes special spacing and formatting. The examples n the following page include the only real reference for this paper (the MLA Handbook) and examples taken directly from the MLA Handbook. Gibaldi, Joseph. MLA Handbook for Writers of Research Papers. 6th ed. New York: The Modern Language Association of America, 2003. Last Name, Authors First Name, and Second Authors First Name and Last Name. Title of Article. Periodical, volume number (year of publication): inclusive pages. Last Name, Authors First Name. Title of Work. Location: Publisher, Publication Date. Note: Detailed information on references can be found in the MLA Handbook, Section

MIS Essay Example | Topics and Well Written Essays - 1500 words - 1

MIS - Essay Example ent of the Company are deeply convinced that the new product will increase the profits of the Company by 100 of millions as 100 million shoppers buy from the Wal-Mart every week (Girard, 2003). The reason behind the Wal-Mart’s decision to sell Jeans to Wal-Mart was to target the rich customers and attracting well-off customers requires big brands, the Company, therefore, needed big brands. Levis is a famous high prestigious brand. The customers of Wal-Mart are people from all walks of life and through Levis, the company shall be able to meet the demands of all their customers, including the demands of the new affluent customers. Wal-mart has a high bargaining power. This fact can be attributed to the fact that Levis is facing tremendous pressure on the sales front as its revenue has decreased because of the changing preferences of the customers. The Wal-Mart company, therefore, really needs to target a new customer group through its new product line so as to boost the company earnings and make profits of 100 million dollars. Walmart Company has a well-established supply chain management system that enables it to track the inventory right from the supplier factory up to the warehouse. Suppliers of Wal-Mart need to be upgraded in IT system so as to enable them to track inventory management. 4.What generic strategy (among the following four: (1) broad target / cost leadership, (2) broad target differentiation, (3) focused target / cost leadership, and (4) focused target / differentiation) is Wal-Mart following? Justify your answer. Wal-Mart is guided by the broad target and cost leadership strategy. The company targets a broad range of customers that come from all walks of life. The company distinguishes itself from its rivals on the basis of low costs. An entry barrier is defined as an advantage of established sellers in an industry over potential entrant sellers that is reflected in the extent to which established sellers can easily raise their prices above